+ SAR 800.02 Vat, custom, shipping fees all inclusive
Renowned ESS Sabre32™ DAC technology delivers 125 dB dynamic range and extremely low harmonic distortion. Analog performance is driven by decades of engineering expertise in audio interface technology. Connect to your Mac, PC or iOS device with 5 Gbps USB 3 (compatible with USB 2), with up to 60 audio channels (28 in and 32 out). Class-compliant firmware means you can plug-and-play with Mac or iOS hosts, no driver needed. Industry standard high-performance drivers work with any audio apps. Connect directly to your iPad™ via USB-C or a standard camera connection kit (Lightning adapter).
Features:
5th-generation of MOTU's ubiquitous 1-rack-unit, 2-preamp audio interface
Lightning-fast USB3 connectivity operates at 5 Gbps
28-in/32-out interface with 2 banks of optical I/O, plus word clock and MIDI
Class-compliant firmware works with a gamut of Mac, PC, and iOS devices
High-performance drivers provide 2–3ms of roundtrip latency
ESS Sabre32-fueled sound with 24-bit/192kHz conversion
Overhauled mic pres with 74dB of available gain
Hardware inserts make integrating outboard hardware easy
Capture your recorded material in its truest, most natural form with -113 dB
THD+N, 115 dB dynamic range and -129 dBu EIN performance. Each mic
channel has individual preamp gain, pad, 48V phantom power and remote
control from your computer or iOS device. Each combo jack alternately provides
a 1/4-inch high-impedance TS guitar input for DI tracking and reamping.
DIY guitar re-amping
DI your guitar to the front-panel input, use CueMix's near-zero latency to loop
to any output (with a re-amp adapter, if needed), and record both the dry signal
and your mic’d up amp simultaneously. Then re-amp the dry signal later with
different amps and cabs — or amp modeling plug-ins — to experiment with
different tones. No need to re-plug cables between recording and re-amping.
Extra line inputs when you need them
Do you work with compressors and other outboard gear? Each 828 mic input offers a
dedicated analog send/return loop, allowing for both mono or stereo mic channel outboard
processing via fully balanced connections. If nothing is plugged in to a mic input, its return
serves as an extra line input with identical signal characteristics to all other line inputs.