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Sennheiser e 914 Condenser Cardioid Microphone
The Sennheiser e 914 is a professional condenser instrument microphone developed for crucial capturing in recording and sound reinforcement applications. The wide, linear frequency response of 20 Hz to 20 kHz results in vivid, accurate reproduction of instruments throughout the full frequency range. The e 914 is an excellent choice for piano, drum cymbals, guitar, strings, and stereo ambiance capturing in live performances and sound design applications.
Features:
- Condenser microphone
- Perfect for ambitious (live) recordings
- Excellent dynamics and lively sound on a wide range of instruments
- Handles very high sound pressure levels
- Three-position bass roll-off/cut-off switch
- Three-position pre-attenuation
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Technical Specification
- Dimensions: Ø 24 x 157 mm
- Connector: XLR-3
- Transducer principle (Microphone): pre-polarised condenser microphone
- Frequency response: 20 - 20000 Hz
- Weight: 198 g
- Attenuation: 0, -10, -20 dB
- Pick-up pattern: cardioid
- Sensitivity in free field, no load (1kHz): 7 mV/Pa
- Nominal impedance: 100 Ω
- Min. terminating impedance: 1000 Ω
- Phantom powering: 48 V/2,2 mA
- Equivalent noise level: 19 dB(A)
- Max. Sound pressure level (active): - 137, 147 (with activated -10 db attenuation), 157 (with activated -20 db attenuation) db
- Warranty: 1 year
What Is In The Box
- Sennheiser e 914 Condenser Cardioid Microphone
- Microphone clamp MZQ 800
- Windscreen
- Pouch
- User manual
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Manufacture Description
A brilliant all-rounder for demanding tasks.
The e 914 is a condenser microphone of the superior class with a full-bodied sound and excellent dynamics. Its silky character, never headstrong, is developed from the gentle emphasis of the sophisticated treble. Its straightforward transient response accurately captures the temperament of each set, even at very high sound pressure levels. With its detailed resolution, the e 914 makes every live drum sound more refined. The capsule has extraordinary feedback resistance and can be individually adapted to various needs: three positions of bass roll-off/cut-off and pre-attenuation can be set.